Studying online

There are now 2 possible online modes for units:

Units with modes Online timetabled and Online flexible are available for any student to self-enrol and study online.

Click on an offering mode for more details.

Unit Overview

Description

In Italian art of the seventeenth century, things are never quite as they seem. Caravaggio's highly naturalistic paintings merge biblical figures with local prostitutes and beggars; the sculptor Bernini turns hard marble into soft flesh and stillness into motion; Borromini's buildings appear to pulsate and envelope their visitors; and heaven and earth converge in vast ceiling paintings of palaces and churches. Besides such illusions, the Baroque revels in drama. Art no longer needs to be aesthetically pleasing - it can be ugly or horrific in its quest to provoke strong emotions. It is a period of innovation, producing the first feminist artist and the first global style. Yet it also is the first period fully aware of the history of art, bringing about changes in collecting and theorising art that reverberate into the nineteenth century. This unit examines Baroque art and architecture in the context of major historical developments, such as the Catholic Counter-Reformation and early colonialism. It also studies contemporary art theory through the prism of its arguable most iconic artist, the Italian painter Michelangelo Merisi da Caravaggio.

Credit
6 points
Offering
AvailabilityLocationMode
Not available in 2025UWA (Perth)Face to face
Details for undergraduate courses
  • Level 2 option in the History of Art; Art History and Curatorial Studies major sequences
  • Level 2 elective
Outcomes

Students are able to (1) demonstrate oral communication and interpersonal skills; (2) analyse formal and technical qualities of Mannerist and Baroque artworks; (3) place artworks in cultural and historical contexts of central and southern Europe in the late sixteenth and seventeenth centuries and demonstrate an understanding of how artworks can mediate social or cultural meaning; (4) apply principles of argument in art historical discourse; and (5) apply research techniques in art historiography.

Assessment

Indicative assessments in this unit are as follows: (1) short essay; (2) long essay; and (3) oral assessment. Further information is available in the unit outline.



Student may be offered supplementary assessment in this unit if they meet the eligibility criteria.

Unit Coordinator(s)
Arvi Wattel
Unit rules
Prerequisites
HART1000 Great Moments in Art (formerly VISA1000)
or HART1003 Ways of Seeing: Themes and Theories in Art
Incompatibility
VISA2207 Art of the Counter-Reformation
Contact hours
lectures: 2 hours per week
tutorials: 1 hour per week
  • The availability of units in Semester 1, 2, etc. was correct at the time of publication but may be subject to change.
  • All students are responsible for identifying when they need assistance to improve their academic learning, research, English language and numeracy skills; seeking out the services and resources available to help them; and applying what they learn. Students are encouraged to register for free online support through GETSmart; to help themselves to the extensive range of resources on UWA's STUDYSmarter website; and to participate in WRITESmart and (ma+hs)Smart drop-ins and workshops.
  • Visit the Essential Textbooks website to see if any textbooks are required for this Unit. The website is updated regularly so content may change. Students are recommended to purchase Essential Textbooks, but a limited number of copies of all Essential Textbooks are held in the Library in print, and as an ebook where possible. Recommended readings for the unit can be accessed in Unit Readings directly through the Learning Management System (LMS).
  • Contact hours provide an indication of the type and extent of in-class activities this unit may contain. The total amount of student work (including contact hours, assessment time, and self-study) will approximate 150 hours per 6 credit points.